In this lesson we’ll take a look at the basics of blending in OpenGL. We’ll look at how to turn blending on and off, how to set different blending modes, and how different blending modes mimic real-life effects. In a later lesson, we’ll also look at how to use the alpha channel, how to use the depth buffer to render both translucent and opaque objects in the same scene, as well as when we need to sort objects by depth, and why.
We’ll also look at how to listen to touch events, and then change our rendering state based on that.
Assumptions and prerequisites
Each lesson in this series builds on the one before it. However, for this lesson it will be enough if you understand Android Lesson One: Getting Started. Although the code is based on the preceding lesson, the lighting and texturing portion has been removed for this lesson so we can focus on the blending.
Blending is the act of combining one color with a second in order to get a third color. We see blending all of the time in the real world: when light passes through glass, when it bounces off of a surface, and when a light source itself is superimposed on the background, such as the flare we see around a lit streetlight at night.
OpenGL has different blending modes we can use to reproduce this effect. In OpenGL, blending occurs in a late stage of the rendering process: it happens once the fragment shader has calculated the final output color of a fragment and it’s about to be written to the frame buffer. Normally that fragment just overwrites whatever was there before, but if blending is turned on, then that fragment is blended with what was there before.
By default, here’s what the OpenGL blending equation looks like when glBlendEquation() is set to the default, GL_FUNC_ADD:
There are also two other modes available in OpenGL ES 2, GL_FUNC_SUBTRACT and GL_FUNC_REVERSE_SUBTRACT. These may be covered in a future tutorial, however, I get an UnsupportedOperationException on the Nexus S when I try to call this function so it’s possible that this is not actually supported on the Android implementation. This isn’t the end of the world since there is plenty you can do already with GL_FUNC_ADD.
The source factor and destination factor are set using the function glBlendFunc(). An overview of a few common blend factors will be given below; more information as well as an enumeration of the different possible factors is available at the Khronos online manual:
The documentation appears better in Firefox or if you have a MathML extension installed.
OpenGL expects the input to be clamped in the range [0, 1] , and the output will also be clamped to the range [0, 1]. What this means in practice is that colors can shift in hue when you are doing blending. If you keep adding red (RGB = 1, 0, 0) to the frame buffer, the final color will stay red. However, if you add in just a little bit of green so that you are adding (RGB = 1, 0.1, 0) to the frame buffer, you will end up with yellow even though you started with a reddish hue! You can see this effect in the demo for this lesson when blending is turned on: the colors become oversaturated where different colors overlap.
Different types of blending and how they relate to different effects
Additive blending is the type of blending we do when we add different colors together and add the result. This is the way that our vision works together with light and this is how we can perceive millions of different colors on our monitors — they are really just blending three different primary colors together.
This type of blending has many uses in 3D rendering, such as in particle effects which appear to give off light or overlays such as the corona around a light, or a glow effect around a light saber.
Additive blending can be specified by calling glBlendFunc(GL_ONE, GL_ONE). This results in the blending equation output = (1 * source fragment) + (1 * destination fragment), which collapses into output = source fragment + destination fragment.
Multiplicative blending (also known as modulation) is another useful blending mode that represents the way that light behaves when it passes through a color filter, or bounces off of a lit object and enters our eyes. A red object appears red to us because when white light strikes the object, blue and green light is absorbed. Only the red light is reflected back toward our eyes. In the example to the left, we can see a surface that reflects some red and some green, but very little blue.
When multi-texturing is not available, multiplicative blending is used to implement lightmaps in games. The texture is multiplied by the lightmap in order to fill in the lit and shadowed areas.
Multiplicative blending can be specified by calling glBlendFunc(GL_DST_COLOR, GL_ZERO). This results in the blending equation output = (destination fragment * source fragment) + (0 * destination fragment), which collapses into output = source fragment * destination fragment.
Interpolative blending combines multiplication and addition to give an interpolative effect. Unlike addition and modulation by themselves, this blending mode can also be draw-order dependent, so in some cases the results will only be correct if you draw the furthest translucent objects first, and then the closer ones afterwards. Even sorting wouldn’t be perfect, since it’s possible for triangles to overlap and intersect, but the resulting artifacts may be acceptable.
Interpolation is often useful to blend adjacent surfaces together, as well as do effects like tinted glass, or fade-in/fade-out. The image on the left shows two textures (textures from public domain textures) blended together using interpolation.
Interpolation is specified by calling glBlendFunc(GL_SRC_ALPHA, GL_ONE_MINUS_SRC_ALPHA). This results in the blending equation output = (source alpha * source fragment) + ((1 – source alpha) * destination fragment). Here’s an example:
Imagine that we’re drawing a green (0r, 1g, 0b) object that is only 25% opaque. The object currently on the screen is red (1r, 0g, 0b) .
Notice that we don’t make any reference to the destination alpha, so the frame buffer itself doesn’t need an alpha channel, which gives us more bits for the color channels.
For our lesson, our demo will show the cubes as if they were emitters of light, using additive blending. Something that emits light doesn’t need to be lit by other light sources, so there are no lights in this demo. I’ve also removed the texture, although it could have been neat to use one. The shader program for this lesson will be simple; we just need a shader that will pass out the color given to it.
uniform mat4 u_MVPMatrix; // A constant representing the combined model/view/projection matrix.
attribute vec4 a_Position; // Per-vertex position information we will pass in.
attribute vec4 a_Color; // Per-vertex color information we will pass in.
varying vec4 v_Color; // This will be passed into the fragment shader.
// The entry point for our vertex shader.
// Pass through the color.
v_Color = a_Color;
// gl_Position is a special variable used to store the final position.
// Multiply the vertex by the matrix to get the final point in normalized screen coordinates.
gl_Position = u_MVPMatrix * a_Position;
precision mediump float; // Set the default precision to medium. We don't need as high of a
// precision in the fragment shader.
varying vec4 v_Color; // This is the color from the vertex shader interpolated across the
// triangle per fragment.
// The entry point for our fragment shader.
// Pass through the color
gl_FragColor = v_Color;
Turning blending on
Turning blending on is as simple as making these function calls:
// No culling of back faces
// No depth testing
// Enable blending
We turn off the culling of back faces, because if a cube is translucent, then we can now see the back sides of the cube. We should draw them otherwise it might look quite strange. We turn off depth testing for the same reason.
The demo only uses additive blending at the moment. Try changing it to interpolative blending and re-adding the lights and textures. Does the draw order matter if you’re only drawing two translucent textures on a black background? When would it matter?